Archive for July, 2009

Visual novel talk: Narcissu

Monday, July 20th, 2009

Narcissu is a short visual novel that is freely available, cross-platform, and has an official English translation. It’s about two terminally ill patients who meet at the hospital. They decide they don’t want to just die at the hospital or at home so they decide to just go and drive off somewhere.

Going through the story reminded me a lot of 5 Centimetres per Second. The characters are all very soft-spoken and melancholic, probably because they’re about to die. There’s an atmosphere of sadness that lingers around for the duration of the time you’re reading. Even though there might be a few relatively light moments here and there, it doesn’t really change the direction and mood of what’s eventually going to happen.

For a free game, it’s very well produced. The music, art, and voice acting is pretty good. Even though it uses the NScripter engine, it looks a lot more professional than Umineko or Tsukihime. Already, this makes giving it a spin very well worth the time.

Animu movies from the year of our Lord 2008

Friday, July 17th, 2009

I finally got around to spending a day watching that Blu-ray stuff I downloaded from a while ago.

Sword of the Stranger

Sword of the Stranger is really cool. It doesn’t feature a terribly original plot: former samurai ends up being an amazing samurai with a dark past an ends up having to protect someone over the course of the movie. Surprisingly, the kid he ends up protecting isn’t that annoying. But where this movie shines is in the fighting. Fights are beautifully choreographed a lot like in Kara no Kyoukai, except there’s way more than one per movie. Definitely worth seeing for those.

The Sky Crawlers

The Sky Crawlers is directed by he same director that directed all he Ghost in the Shell stuff. That means that while there will be really cool action stuff to look forward to, there is also going to be a lot of philosophical wankery to wade through. The aerial battles are pretty amazing, especially the one major battle. The engrish that is inexplicably used is really weird. It’s not laughably bad, but it’s so close to being correct without being correct that it’s sort of a linguistic uncanny valley. Apparently, the movie is some sort of metaphor for how otaku are living self destrucive lifestyles.

Rebuild of Evangelion 1.11: YOU ARE (NOT) ALONE

I got around to watching Neon Genesis Evangelion for the first time within the last year some time. I didn’t like it. I probably put off watching End of Evangelion because I didn’t feel like it would change my opinion of the series. That and it was pretty noticeably old.

And so it may be considered heresy that I actually found myself enjoying Eva 1.11. It’s almost exactly the same as he part of the TV anime that it covers. I got the impression that they cut out a lot of Shinji’s crying though I might be mistaken. That combined with modern animation made it pretty good. I might come away from these four movies as an Evangelion fan.

Apologia

Tuesday, July 14th, 2009

I find the way that most Christians approach apologetics to be pretty frustrating. Apologetics is a fine thing and it’s pretty interesting to see how your faith fits into the framework of the world outside of theology. But I find that most people are either “Great! Now I can definitely convince x with this loose collection of facts” or will furiously push back at any argument that doesn’t coincide with their faith. The first is a lot easier to deal with than the second.

After so many of these classes, I think that I’ve been able to get a feel for the scope of these things. These classes are fine for providing brief answers to common tough questions. They are not sufficient for providing enough background and context for a serious debate with someone. See, no matter what you’re debating, if you’re going to try and argue with someone, you had better be sure not only in what you’re arguing, but what you’re arguing against.

I’ve used all three of Windows, OS X, and Linux for years, each as my main OS. I’ve taken a basic OS course and a basic computer architecture course. I have a pretty good understanding of how computers work. Are you, guy with a Dell laptop running Windows and studying business, going to tell me Macs suck and that I’m an idiot for spending so much money on a Macbook Pro? If you’re going to say my computer is a pile of crap, you’d better be damn well prepared to talk about stuff like UI or file system design.

I’ve never gotten into evolution debates. Why? Because I don’t know enough about it. I didn’t take grade 11 bio, so how would I expect to argue with a biology major about evolution? And honestly, it’s inconsequential to me either way. I would need to be pretty arrogant to forge ahead and try to argue with someone like that.

The most dangerous thing about apologetics is the tendency for us to miss the point. Dan Brown’s The Da Vinci Code is our favourite dead horse to keep flogging. Yes, it’s hilariously full of ridiculous inaccuracies, which are substantiated only with his claims that he totally researched it all, man. Anyway, it’s an interesting starting point for exploring the history of the church after what’s recorded in the New Testament. But then, we start to become eager to strike down anything that’s inaccurate, without understanding the context, making us look like pedantic jerks.

One of the “arguments” that writers and speakers love to trot out is pointing out how inaccurate Da Vinci’s painting, The Last Supper, would be if Mary Magdalene were depicted in the painting and that it’s not supposed to be a literal rendering of the real Last Supper. Well, of course not, Da Vinci kind of existed hundreds of years after. That’s not the point of the painting though. If someone had done some basic research, like read the book, it’d be immediately obvious that the painting has nothing to do with “proving” that Jesus and Mary were married and has everything to do with the fictional plot, in which the painting was a vehicle for Da Vinci to communicate his message through his works. Suddenly, the relevance of the painting in this context is useless.

So what is the point? It should really only be used to clear up misunderstandings or to answer some questions that someone who’s curious might have. You can’t use your patchwork knowledge to confront someone or wage a long campaign to convince them. If you do, you’ll likely only aggravate things.

The other danger is if the class degenerates into an echo chamber. In this case, the teacher gives standard, generic answers and the participants take it in. In the other case, the teacher provides counterpoints and the students rubber-band to treating those counter-arguments with derision. The danger here is that that derision carries over to conversations with non-Christians.

What bothered me was a claim that a BBC documentary about Jesus was biased, because it focused too much on naturalistic evidence rather than also providing Christian arguments. Even worse, it was compared to the Paul Maier interview, where the interviewer was asking fairly obviously pointed questions for Paul Maier to blow off silly secular arguments. Pretending that a BBC documentary, which has proper journalism, is as credible as a staged interview means that you’re being deliberately obfuscating and obtuse. Yes, technically, there is no true neutral stance, but bias is not a binary value.

It’s the sorts of arguments like those against naturalistic viewpoints that are harmful to these sorts of things. We can’t just write them off as obviously wrong or biased, because this is the perspective of the people we’re trying to talk to. And if you wouldn’t blow off an argument as ridiculous in front of someone you’re talking to, why would you need to do it while we’re trying to understand that viewpoint? Trying to dissect an argument so that we can know how to respond to it is much more easier when we don’t poison the well with our own bias.

I guess I’m really tired of the “here’s why we’re right” version of apologetics where we don’t consider why people might think the way they do. Thankfully, the iteration of the class I’m in right now is doing a pretty good job, what with the healthy amount of processing alternate viewpoints and arguments and trying to deconstruct them properly.

Summer 09 anime cover judging 3

Monday, July 13th, 2009

The trilogy is complete.

Zan Sayonara Zetsubou Sensei

By now, you should know if this is for you or not. If you don’t, then you probably haven’t watched the first season, in which case, do so immediately. Otherwise, you’ve already decided whether you love or hate ZETSUBOUSHITAs, the obscure and obtuse humour, and general SHAFT antics.

Spice and Wolf II

I wasn’t a fan of the Amber Melancholy OVA, so I was really happy when this episode made me smile all the way through while watching it. I’d already read the volume that this one is covering and the episode unfolded pretty perfectly. This has vaulted back up to one of the shows I’m most anticipating. I love the OP too, with the constantly shifting backgrounds, but no more apples on the witch’s tree this time around. Oh well.

Tokyo Magnitude 8.0

The first episode was a setup for the earthquake (SPOILERS) that happens near the end of the episode. The characters are all pretty realistic. The second episode should be full of wanton destruction and it’ll be interesting to see where this series ends up. It’s also kind of funny how, even though this is set about twenty to thirty years after Eden of the East, everything about it feels a lot closer to the world of today.

GA: Geijutsuka Art Design Class

This is pretty much Hidamari Sketch and Sketchbook, but on crack and with actual art and design jokes. I liked the ones they had in the first episode and I’m crossing my fingers for some typography jokes. Also, this is one of many Horie Yui shows and also has Tomato Haruka.

Visual novel talk: Planetarian

Saturday, July 11th, 2009

So apparently, I’m late to the Planetarian train. It’s kind of funny because it was only a few months ago that I was lamenting that I would never be able to see what Planetarian was about since there was about a 0% that it’s get an anime adaptation. I don’t know why I didn’t think that there might be a fan translation, but the realization that these things existed didn’t hit me until I finished Umineko.

Planetarian ~ちいさなほしのゆめ~ is a visual novel by the tear harvesters at Key/Visual Arts. The interesting thing about Planetarian is that it’s setting and premise is entirely different from Key’s usual domain. We’re presented with a grimdark world where people just kill each other and search for garbage.

Of course, just because we’re in a different setting doesn’t mean that Key can’t work their usual magic in. There is snarky protagonist and there is some kind of moeblob. There are cute are cute and touching scenes and there are moments to make you BAWWWWW.

Definitely check it out if you’re a fan of Key’s usual fare. It’s short and it’s well worth the look to see how Key can make you weep even when sickly high school students aren’t involved.