Monthly Archives: March 2010

On Solanin

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So after some buzz on the internets, a movie trailer, a bit of Urbana bus reading and an Asian Kung-fu Generation single, I decided I should probably finish Solanin. And since it’s pretty short, at two volumes and fourteen chapters in each, I managed to do it in one night. And well, Solanin resonated with me to an eery degree. It’s not hard to see why. After all, I’m right at the cusp of entering the life stage that the characters were struggling through.

And it’s sort of the perfect storm of things that I’m thinking about that made me much more receptive to Solanin than I otherwise would have been, even a few months beforehand. It’s just last week that I was deciding whether or not to work my ass off for a shot at grad school instead of staying the course and going into industry after graduation. And it was only a few weeks ago that I felt the mid-coop malaise that I usually get. And then there’s all of the graduation buzz for this year’s graduating class, signaling that my own graduation is only a year away.

Now, my situation is nowhere near as bad as what’s in Solanin. That’s not to say that the situation in Solanin is horrible. What makes it scary is that the things the characters go through is incredibly normal. I’m incredibly lucky to be majoring in something that I’m super interested in, that I’m relatively good at, and that won’t bankrupt me in the future. If I were studying something in which even one of those three criteria weren’t met? I’d imagine I’d be able to relate with the characters a lot more than I already am.

One of my friends joked that it seemed like I was the only one out of our posse with a future. But even then, no matter how well lined up things might seem to us, we’re still wracked with uncertainty and we’re still gazing at the sky while we’re walking, wondering what things are going to be like in a few years. Solanin’s power is in speaking to this part of us that might be buried inside of us. It draws it out and sets it in front of us for us to examine.

Solanin’s story and the reaction it got out of me reminds me of 5 Centimeters per Second. Solanin didn’t affect me emotionally anywhere near the degree that 5cm/s did, which left me in a depressed mood for a day. What 5cm/s did was set off a firestorm of reflection on how I considered relationships of all sorts, not just romantic ones, with distance thrown in. Similarly, Solanin made me think about what I was doing and where I was trying to go with the time that I had left as an undergrad.

It should go without saying that the sort of work that is able to push you to really think about what it’s presenting in the context of your own life rather than that of the characters is rare, powerful, and unnerving.

Gundam Unicorn: Everything old is new again

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I was pretty blown away by Gundam Unicorn’s first episode.

I’ve watched a few first episodes of Gundam shows in the past year and I don’t think anything comes close to how I felt while I was watching UC’s first episode. Even though it’s not until pretty recently that I started traversing through what the Universal Century had to offer me, I considered myself a Gundam fan. Even though I was only halfway through Zeta, I could still feel the significance that Unicorn carried in being the first show set in the UC in more than ten years.

I think the production really surprised me. It was way above any other Gundam show I’d seen. 00 may have had HD sparklies, but UC made even GMs in combat look impressive. I was really happy to see the UC style and aesthetic rendered with modern animation techniques and technology. And the music! I want to know why they never got this guy to do music for any other Gundam show before.

Making my way through the Universal Century, something I’ve felt was off was the pacing of the shows. It was only slightly noticeable throughout the original movies and the OVAs, but it became pretty apparent in Zeta. Something about the way events are timed and episodes are constructed really bothers me. I’m assuming it’s just the way shows were written back then, since I felt 0083 flowed more naturally out of everything I’ve seen. Of course, it could be Unicorn’s origins as a novel shining through here. Not only that, but there’s a lot more symbolism in that episode than a lot of Gundam shows that I can remember.

What’s unfortunate is its release schedule. Thinking about it some more, it doesn’t really seem all that far off from a typical OVA schedule, but it still doesn’t make the excruciating wait between episodes and the completion of the series any easier. But, it does look like we’ll have our Kara no Kyoukai equivalent to obsess over every few months for a few days whenever it lands over the next few years.

But yeah, I certainly didn’t expect to start off 2010 with the best first episode of a Gundam show while also being the most impressive thing of the year so far.

So, as I pray…

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I was looking forward to this route because I’d get to find out just what the hell this Unlimited Blade Works thing was all about. Like I mentioned before, I’ve been constantly reading all of this stuff about how UBW and HF are where it’s at, so I was very, very eager to finally experience creating over a thousand blades and whatnot firsthand. And Fate wasn’t even as terrible as I’d been bracing for, so I was waiting to be blown away.

That excitement was dampened by the realization that I’d have to go through a bunch of school life stuff again. This was my least favourite part of Fate and remains my least favourite part of UBW and HF. The biggest problem I had with this was that there was about as much of it in UBW as Fate did. I’d hoped that with all of the setup that Fate had, we could get through this stuff quicker. Just like Fate, UBW gets good when we get past all of this stuff.

UBW was a very interesting experience for me because it made me realize that my assumptions of what Fate/stay night was about were off. Before playing it, I’d heard that the other routes weren’t about Saber. This was baffling to me, because I’d always thought that Fate/stay night was about Saber. Everything that I knew about F/sn indicated to me that Saber was a central character, if not the central character. After all, she’s essentially Shirou’s ticket into the Holy Grail War and the only way that he can do anything.

Now, I’ve only played a handful of visual novels, so Fate/stay night was yet another interesting take on how interesting the structure of the story for a visual novel can be. Unlike Ever17 or Umineko, where the characters’ motivations and personalities remain pretty constant, Fate/stay night takes more of an alternate universe approach, where enemies in one route become allies in another and background characters from one route are thrust into the limelight in another.

What’s really fascinating is that these alternate universes aren’t equivalent in their importance in the story. In Ever17, each route is different, but it doesn’t really matter which order you go traverse through them since they all serve the same purpose. In Fate/stay night, UBW expands on what we’ve learned from Fate, both in the mechanics of the world and the development of the characters.

UBW is the route that makes it clear that Fate/stay night is about Shirou. You could make the case that Fate was as much about Saber as it was about Shirou. I don’t think you can say the same about Rin and UBW. Yeah, she’s the main heroine of the arc, but unlike Saber, we don’t really get as much illumination or focus on Rin. Instead, it’s Archer that takes Saber’s place in smacking some sense into Shirou.

That’s not to say that Rin doesn’t do anything to help Shirou along. She does, but in a way which is much less noticeable than Archer’s head-on antagonizing Shirou for his ideals. Essentially, the role that Saber played in Fate is split between Rin and Archer. And of course, Archer’s role in Shirou’s development is much greater, given that he’s speaking, as is revealed in the game, from experience.

I can see why everyone loves this arc so much, especially compared with Fate. While Fate is fine as an introductory story with the promise of other routes to follow, I feel like UBW is just as interesting when it’s considered on its own. I hinted at it before, but for me, it was Archer who made the route, not Rin. To be honest, I don’t really like Rin all that much, at least not compared to Saber or Sakura. But I guess I’ll have to head off to HF and decide whether or not it’s better than UBW before I can say that conclusively.