Brian Mulroney on the Usagi Drop ending

「うさぎドロップ」/「 LC斐爾 」

One of the few famous quotes in Canadian politics is one by Brian Mulroney, leader of the Progressive Conservative Party of Canada and the 18th Prime Minister of Canada, during the 1984 campaign. As the leader of the Liberal Party of Canada that took over after Pierre Trudeau resigned, John Turner inherited Trudeau’s premiership (yes, we can swap prime ministers without elections) and government in the latter part of his term. Just before resigning, Trudeau had appointed a ton of loyalists to various positions.

Technically, it is the Governor General of Canada (who acts as the representative the Crown) who makes these appointments, but he or she only does so on the advice of the prime minister. In this case, the appointments had only been recommended by Trudeau but weren’t finalized by the governor general when Turner became prime minister, so he could have stopped them. During the 1984 leaders’ debate, Mulroney attacked Turner for allowing these appointments and Turner replied that he had no option. This was the lead-in to Mulroney’s famous line:

You had an option, sir. You could have said, ‘I am not going to do it. This is wrong for Canada, and I am not going to ask Canadians to pay the price.’ You had an option, sir — to say ‘no’ — and you chose to say ‘yes’ to the old attitudes and the old stories of the Liberal Party. That sir, if I may say respectfully, that is not good enough for Canadians.

This left Turner shattered in the debate and pretty much won the election for Mulroney. Unfortunately, ever since then, media coverage of electoral debates has always focused on finding that snappy equivalent knockout line, but no one has produced one since.

I like Usagi Drop. Yes, I have read the entire thing. No, the ending was not what I would have liked, but I’m not particularly angry about it. I mean, 95% of it was great, which is a far better ratio than most stuff out there. What’s more is that I think the initial reaction absent the surrounding context made it seem much worse than it actually was, especially with the important reveal that Rin isn’t actually Grandpa’s biological kid.

In fact, I’d say that I don’t really have a problem with most of the ending “arc” and it’s only the very last chapter that makes me raise an eyebrow. I can buy that Rin could have developed romantic feelings for Daikichi. After all, I think it’s an important note that she sees him as a guardian and not her father. He’s always simply been Daikichi to her.

The problem, then, and the part I find hard to believe is Daikichi’s response, which pretty much amounts to a ‘welp, guess I have no choice’. It’s really strange because, even though he was clearly uncomfortable the idea, he didn’t put up that much resistance. It’s strange enough that he offers to wait two years and hopes the problem might go away. After the two year wait period, Rin kind of goes ‘hey, it’s been two years’ and he’s sort of resigned to the whole thing.

What I’m struck by with Usagi Drop’s ending is that Daikichi had an option: he could have said no, but he chose to say yes. It would have been perfectly fine for him to say no. Rin couldn’t have seriously been expecting Daikichi to reciprocate. She would’ve been fine if things continued the way they were. She was prepared to have things stay the same. Things might’ve been awkward for a while, but a ‘no’ would have closed the matter. Instead, we’re left with, well, whatever it is that we have now.

I’d like to stress again that I still think the manga is excellent, even the second half of it. However, Daikichi’s response is baffling and his rationale is unconvincing. Quite frankly, it’s not good enough, especially for such an otherwise great manga. I’ll defend it, but I’ll concede that the end is not at all what I wanted.

12 Days XII: Life sucks

「punpun」/「m2」

「punpun」/「m2」

That’s what Asano Inio is trying to say. Well, okay, there’s a bit more to that: life sucks, but, you know, It’s going to be okay.

I’ve already talked about Solanin, but since then, I’ve been trying to read everything I can that’s by this guy. The bulk of it was various one-shots and short stories that weren’t more than a handful of chapters. Even though they’re short, he’s able to connect you with the characters and the hopelessness or boredom of their situation. Nijigahara Holograph is really his one step away from talking about peoples’ lives. It’s about some supernatural happenings, which when combined with his ability to write dark and realistic situations, make for a really creepy story.

But the one that stands out to me besides Solanin is also one of his strangest, Oyasumi Punpun.

Oyasumi Punpun is about a kid, Punpun, who is just a normal boy. It’s about him growing up. We start with him in elementary school. We see him play around with his friends. We see him wrestle with his feelings as he realizes he has his first crush on a girl. We see him deal with his family issues, with his abusive father and alcoholic mother. We see him move on to various stages of his life.

Except that to the reader, he and his entire immediate family are rendered as really weird, flat bird creatures.

Trust me, it works very well.

Oyasumi Punpun starts off sort of whimsically, with the crazy God character popping up once in a while and the surreal imagery that comes up in Punpun’s thoughts. Obviously, the family situation makes it pretty dark as well, but later on it gets fairly depressing. It’s a lot like Solanin, except that Solanin focused on a very, very short snapshot of time in Meiko’s life. In Punpun, we’re watching Punpun grow up and we can see how all of the stuff that he encounters earlier on in his life goes on to affect him later on.

What’s ultimately depressing about Punpun isn’t that it’s Punpun going through all of the crap that he goes through. It’s realizing that the things that he goes through are entirely believable, that real people go through what he has to go through.

And that’s what’s really so amazing about Asano Inio. It doesn’t matter whether or not the character is like you, which was the case for me with Solanin. Heck, it doesn’t even matter whether the character looks anything remotely close to a person. He’s still able to make what they’re going through and what they’re feeling uncomfortably real.

On Solanin

So after some buzz on the internets, a movie trailer, a bit of Urbana bus reading and an Asian Kung-fu Generation single, I decided I should probably finish Solanin. And since it’s pretty short, at two volumes and fourteen chapters in each, I managed to do it in one night. And well, Solanin resonated with me to an eery degree. It’s not hard to see why. After all, I’m right at the cusp of entering the life stage that the characters were struggling through.

And it’s sort of the perfect storm of things that I’m thinking about that made me much more receptive to Solanin than I otherwise would have been, even a few months beforehand. It’s just last week that I was deciding whether or not to work my ass off for a shot at grad school instead of staying the course and going into industry after graduation. And it was only a few weeks ago that I felt the mid-coop malaise that I usually get. And then there’s all of the graduation buzz for this year’s graduating class, signaling that my own graduation is only a year away.

Now, my situation is nowhere near as bad as what’s in Solanin. That’s not to say that the situation in Solanin is horrible. What makes it scary is that the things the characters go through is incredibly normal. I’m incredibly lucky to be majoring in something that I’m super interested in, that I’m relatively good at, and that won’t bankrupt me in the future. If I were studying something in which even one of those three criteria weren’t met? I’d imagine I’d be able to relate with the characters a lot more than I already am.

One of my friends joked that it seemed like I was the only one out of our posse with a future. But even then, no matter how well lined up things might seem to us, we’re still wracked with uncertainty and we’re still gazing at the sky while we’re walking, wondering what things are going to be like in a few years. Solanin’s power is in speaking to this part of us that might be buried inside of us. It draws it out and sets it in front of us for us to examine.

Solanin’s story and the reaction it got out of me reminds me of 5 Centimeters per Second. Solanin didn’t affect me emotionally anywhere near the degree that 5cm/s did, which left me in a depressed mood for a day. What 5cm/s did was set off a firestorm of reflection on how I considered relationships of all sorts, not just romantic ones, with distance thrown in. Similarly, Solanin made me think about what I was doing and where I was trying to go with the time that I had left as an undergrad.

It should go without saying that the sort of work that is able to push you to really think about what it’s presenting in the context of your own life rather than that of the characters is rare, powerful, and unnerving.

True End: The Jinchuu Arc (Rurouni Kenshin)

It took me a few years, but I finally got around to finishing Rurouni Kenshin’s final arc.

I went through Kenshin fairly early on in my anime consumption, not too long after the likes of Naruto, Gundam SEED, and FMA. Essentially, I found the Tokyo arc pretty interesting, the Kyoto arc amazing, and the filler to be utter garbage, as was in line with what I’d heard. The prequel OVA was also amazing and having learned about how accurate the third arc opinions were, I decided to skip out on the epilogue OVAs as well.

While it’s not as spectacular as Kyoto, the thing about the Jinchuu arc is that it properly finishes Kenshin’s story. Before reading Jinchuu, I’d always pretended that Kenshin ended at Kyoto, so as to counteract the poisonous effect of the filler. After all, after sending his greatest enemy to hell, what else was there for Kenshin to do? He’d redeemed himself, right?

As it turns out, while defeating Shishio may have saved the country, Jinchuu deals with something that’s far more personal to Kenshin. It’s interesting that the prequel OVAs are pretty much universally regarded as the best animated part of Kenshin, both in production quality and writing. It’s the story of the OVAs that is the basis of the Jinchuu arc.

In a way, it’s sort of like The Scouring of the Shire. It doesn’t quite compare to the epic, world-saving adventure that directly preceded it, but it hits a lot closer to home. While they were off saving the world, this new threat sort of snuck up on them from out of nowhere. And while everyone helped Kenshin on the way in Kyoto, Jinchuu involves everyone much more. As a result, it’s not just Kenshin that gets his story wrapped up.

Basically, everyone who is fond of Kenshin and hasn’t read the Jinchuu arc needs to. It’s a much more satisfying conclusion than being disappointed by filler and pretending everything ended at Kyoto. It’s the right ending that such a great series deserves.

Not Naruto: shounen manga that I’m reading

My RL animu-knowledgeable friends will be interested to hear that shortly after the Pain arc finished up, I dropped Naruto for reals. I did this a few months before with Bleach. Both of these pretty much bored me to the point of not caring. No, I don’t care that Naruto became GARuto or whatever. I don’t care that the Vaizards might do something in the near future. I don’t care that Sasuke is still being whiny. I don’t care that Bleach has moved less than 24 hours in the last two years.

So what am I caring about?

Bakuman

As far as manga goes, Bakuman is pretty meta. It is a manga running in Shounen Jump by an artist/writer duo (of Death Note fame) about a manga running in Shounen Jump by an artist/writer duo. The good things about it are great writing and pacing (stuff actually happens and is interesting) and pretty neat art. The unique things that it brings are an inside look at the manga serialization process and a number of pretty cool original manga concepts that make up the manga series that are featured in that universe’s Shounen Jump.

Cross Game

Cross Game is a baseball and romance manga. It has a pretty heavy emphasis on the characters and their development outside of baseball, which is the most interesting part. It’s a pretty realistic and moving manga about some kids who play baseball. D’awwwws and BAWWWWWs all around.

Fullmetal Alchemist

You should know pretty damn well why I care about this.

Hayate the Combat Butler!

An impoverished, almost indestructible guy gets hired as the butler of a rich little girl. This is a comedy series that likes to transform into a harem series at times. The characters are all fun and the parodies and references come fast. Knowing that the mangaka is a student of the mangaka who did Sayonara Zetsubou Sensei explains a lot.

Kure-nai

A guy gets hired to protect the daughter of a rich, powerful family, at least in the beginning. I really liked the anime, but the abrupt ending made me seek out more. Unfortunately, this doesn’t seem to be as updated as frequently as I’d like, but I’m up for more of Shinkuro’s and Murasaki’s adventures.

Liar Game

A naive, honest girl gets tricked into joining a game that risks bankrupting her, so she gets the aid of a con-artist with an M.A. in psychology. This is all about mindgames and psychology. In fact, the entire macguffin is to win mindgames. Of course, this means seeing the trickery that we’ve become so enamored with from Code Geass and Death Note.

Mahou Sensei Negima!

A ten year-old wizard in training is assigned to be the teacher of a class of middle school girls. It sounds pretty terrible and it starts off pretty terrible. The mangaka wanted to do a shounen battle manga, but was forced to do another harem series, since he did Love Hina. He basically tricked them by starting out like that but about 40 chapters in and 250 chapters later, we end up in a very different place with an unlikely and absurdly powerful shounen protagonist.

Mirai Nikki

God is dying so he gives twelve people a diary that reveals a selective near-future and tells them to kill each other so he can determine who gets to be God next. On the surface, we’ve got mindgames. However, a very whiny protagonist and his psychotic yandere makes this three times as entertaining than it would have been otherwise.

Saijou no Meii

This isn’t being regularly scanlated, but it is still being serialized. If it got regular updates, I’d be all over it so hard. This is essentially the shounen version of Team Medical Dragon by the mangaka who did Yakitate!! Japan. This contains the usual surgeries and hospital politics.

Soul Eater

Shinigami students collect bad souls in master-weapon partnerships. It’s not the most original series by any metric, but it does manage to be pretty cool. Don’t let the weak anime ending fool you. Much like the FMA anime, the direction that the manga takes is far more interesting. The nice thing about monthly serializations is that stuff tends to happen each chapter.