So a bunch of anime I was watching finished their run.

Darker than BLACK: Gemini of the Meteor

The problem with DtB was that it ended with a bunch of questions and answering very few of them. The problem with DtB2 is that it didn’t answer any of the questions from the last season and added new ones and didn’t answer those either. It also removed most of the likeable characters or the parts of characters that were likeable. So yeah, the moral of the story is that you shouldn’t need a sidestory OVA to explain things that we were waiting for you to explain.

So Ra No Wo To

A.K.A. that show that looked like K-ON! but was superficially similar. At worst, it was some slice of life in a small European town. It had quite a few moments though, from moonshining to PTSD to the revelation of a post-apocalyptic wasteland right outside the borders. Not spectacular, but definitely not bad.

Hidamari Sketch x ☆☆☆

More Hidamari, more awesome. I was dreading what might happen if we threw in two more characters, but Nazuna and Nori filled out the cast pretty well. They weren’t exactly the Yuno and Miya clones I was expecting them to be. We’ve also got new relationship dynamics now that we have all the years filled out. Another highly enjoyable wideface season.

Kobato.

Not my kind of show, but I still watched it. It was alright, I guess, and it had its moments. I did not enjoy the random LOL CLAMP moments near the end of the show though. I probably wouldn’t have missed it if I dropped it. Oh well.

Nodame Cantabile Finale

Surprisingly not bad and pretty well paced, considering this is Chiaki Kon we’re talking about. Unfortunately, she also chose to stick to the manga pretty closely and that means we still got the terrible manga ending. That said, the ending’s probably the worst part of the season, which places it well ahead of Paris Chapter.

Hanamaru Kindergarten

This was a very fun little show and it looks like Gainax put way more effort into the show than they usually do. I liked pretty much all the characters in the show except for Anzu, which is kind of unfortunate because she’s around a lot. Hiiragi is the best character on the show, with Hinagiku and her Yakuza family coming up in second.

Ookamikakushi

Ryukishi07, I am disappoint.

Baka to Test to Shoukanju

I was expecting this to be something terrible like Seitokai no Ichizon, but it actually managed to be pretty entertaining. I guess the way the jokes are written are much more appealing to me than that show I mentioned before. It also gets points for actually using the convoluted battle system premise in an interesting fashion.

Kimi ni Todoke

This went down pretty much like I expected. It’s a really faithful adaptation of the manga and paced just right to reach exactly the right spot to end on. And it was great; easily the best show from Fall 2009. I’m looking forward to a second season in between checking if the next chapter is out yet.

Eden of the East: The King of Eden

This was kind of disappointing. Even though things definitely happened, it felt like nothing was happening at all. I’m aware that it’s really setup for the next movie, but as a movie, it was really, really weak. Just about the only good thing to come out of it is school food punishment’s light prayer single.

I was pretty blown away by Gundam Unicorn’s first episode.

I’ve watched a few first episodes of Gundam shows in the past year and I don’t think anything comes close to how I felt while I was watching UC’s first episode. Even though it’s not until pretty recently that I started traversing through what the Universal Century had to offer me, I considered myself a Gundam fan. Even though I was only halfway through Zeta, I could still feel the significance that Unicorn carried in being the first show set in the UC in more than ten years.

I think the production really surprised me. It was way above any other Gundam show I’d seen. 00 may have had HD sparklies, but UC made even GMs in combat look impressive. I was really happy to see the UC style and aesthetic rendered with modern animation techniques and technology. And the music! I want to know why they never got this guy to do music for any other Gundam show before.

Making my way through the Universal Century, something I’ve felt was off was the pacing of the shows. It was only slightly noticeable throughout the original movies and the OVAs, but it became pretty apparent in Zeta. Something about the way events are timed and episodes are constructed really bothers me. I’m assuming it’s just the way shows were written back then, since I felt 0083 flowed more naturally out of everything I’ve seen. Of course, it could be Unicorn’s origins as a novel shining through here. Not only that, but there’s a lot more symbolism in that episode than a lot of Gundam shows that I can remember.

What’s unfortunate is its release schedule. Thinking about it some more, it doesn’t really seem all that far off from a typical OVA schedule, but it still doesn’t make the excruciating wait between episodes and the completion of the series any easier. But, it does look like we’ll have our Kara no Kyoukai equivalent to obsess over every few months for a few days whenever it lands over the next few years.

But yeah, I certainly didn’t expect to start off 2010 with the best first episode of a Gundam show while also being the most impressive thing of the year so far.

It turns out I couldn’t deny the witch anymore.

I’d been fairly charitable throughout most of the anime’s run. I mean, there’s absolutely no way that any studio can adapt Umineko and have everyone be satisfied with the result. It just isn’t possible. So I was willing to give Deen a little slack. Okay, so it has bad animation, but Umineko isn’t known for great art. Okay, so some things aren’t paced well or got cut. I understand, it’s a challenge given the time constraints. Okay, so they remixed awesome tracks for the anime OST but never use them. Wait a second.

Episode 4 was terrible. Unlike the other arcs, there was not one scene throughout the entire Episode that was done well. Episode 1 had its tea party, Episode 2 had its tea party, and Episode 3 had Beatroll.

The weakest parts of every arc have been October 4 and 5, 1986. The problems with the pacing are because they decided to slow down only as much as necessary and to blaze through whatever could have been rushed. So all the mundane, important parts got the time that they needed, while the awesome parts got cut or rushed. And so, a lot of the emotional connection that Umineko has is lost.

The problem is magnified in EP4, where a lot of the story is introducing and fleshing out who Ange is. Ange’s parts of the story are comparable to the very first airport scenes. That is, they’re long, not very exciting, but pretty necessary. With that making up the bulk of the anime’s EP4 and the decision to do it mostly in one shot, the last part of the anime seemed worse than usual.

And what happens when you take all of the character and emotion out of Umineko? It’s just a bunch of tl;dr. It’s not even a coherent mystery that you can solve because there are quite a few things missing from the anime.

The final blow to the Umineko anime is that Deen just isn’t very good. Yeah, the animation is some improvement over Higurashi, but that’s not saying much. The music, even with the zts tracks that people were worried wouldn’t make it in, ended up being a travesty. And, as all Umineko fans are aware, the music of Umineko is a very integral part of the experience.

It’s really disappointing because I was really, really hoping that it’d at least be decent. At least now I know to preemptively be in despair whenever I see Chiaki Kon in the director’s seat (pretty sure Nodame Finale is going to be terribad).

Well, it’s over.

It goes without saying that the production is still spot on and beautiful. Even better is the fact that Seventh Heaven is essentially the vocal version of the main motif that you hear when Shiki goes into fight mode.

This chapter was a really fitting end for the entire series. We finally get our answers to just what happened four years ago. Araya really is the central villain of the series, throwing in one more roadblock for Shiki and Kokutou to overcome before they’re allowed to be happy. And Shiki and Kokutou are finally forced to confront Shiki’s murderous nature and their relationship.

It’s definitely not as epic or action packed as Paradox Spiral. This movie is much more personal than that one. Paradox Spiral was all about taking down the last boss. Murder Speculation Part 2 is about tying up all the loose ends.

One of the revelations that we’re treated to is that we’ve been following Shiki’s adventures under the assumption that she’s a murderer, when it turns out she hasn’t actually killed anyone. Her kills that we see include a bunch of ghosts, zombies, and Araya. And so, it’s really interesting to see that after all of Kokutou’s pleas for her not to kill and in the face of her own reluctance to kill, the series ends with Shiki being driven to murder someone.

is amazing.

Summer Wars was on my list of things to look out for. The first promo pictures were intriguing, with Natsuki standing in front of her family. And then the first trailers came out and that shot my anticipation up by about 2000%. In hit theatres in August and sadly, there still hasn’t been any news of a DVD/BRD release. Luckily enough, a terrible Korean-hardsubbed raw showed up on the Internets. I debated for a while whether or not to wait it out, but impatience and people going crazy over this movie won me over.

Let’s start out with the first and coolest thing we’re introduced to: OZ. OZ is essentially a much, much cooler Second Life that is actually useful beyond flying around. Every possible thing that you could think of is tied to OZ: GPS systems, utilities, emergency services, commerce, entertainment, everything. As someone who understands software design, this super-centralized system is frightening.

Now, Natsuki mentions that she’s born in 1992 and she’s 18, which sets Summer Wars in next year. I guess that’s why we’re seeing Windows 7 and DSes connect to OZ. Again, I find it frightening that someone imagined that every aspect of our lives would be intricately tied to Second Life by next year. The movie’s main plot thread starts when OZ’s security (which is apparently a 2056 digit number) is broken and an AI starts taking over. Obviously, because everything is tied to OZ, the real world is essentially thrown into chaos.

So who do we have to save the day? Mild-mannered math nerd Koiso Kenji. How does he get roped into saving the world? By getting conned by his crush, Shinohara Natsuki. Basically, she wants him to pretend to be her fiancee at her grandmother’s ninetieth birthday, where her entire extended family will be gathered.

Being the unconfident guy that he is, Kenji doesn’t really do much saving at first. Much of that glory falls to Grandma, who might be the most awesome character in the movie. She demonstrates her power and her sense of responsibility, using her vast connections in the midst of the OZ crisis and by not taking any crap from one of her kids. At the same time, she’s not crazy like the head of the Sonozaki family. Her priority is her family and she’s the central figure to that family.

That family is pleasantly diverse. Unlike your standard powerful anime families, this family has members everywhere. They’re civil servants or rescue workers or businessmen or fishermen. They’ve got housewives, kids, and young adults. And what’s great about the movie is that the interactions between the family and with Kenji feel very real. Yeah, those are those annoying aunts and those cousins that you meet up with every year.

Now, honestly, Kenji doesn’t really do that much saving. I mean, he’s good at math, but the only useful thing that seems to come out of that is only factoring 2056 digit numbers on paper. He really doesn’t even do much in OZ. What he is able to do indirectly is move the rest of the family into action. He starts off very unconfident of himself, but grows through his time with this rambunctious family to the point where he’s able to take a stand for fighting this thing and by the end, does end up saving the day through math.

There’s a ton of good stuff that’s explored here. We’ve got the whole technology angle with OZ. We’ve got all of the family stuff going on. We’ve got a bunch of characters that are unsure of themselves who grow throughout the movie. And of course, there’s a budding romance that needs some growing.

One of the things that I really liked from this movie was the fact that it had so much stuff that happened in it. Usually, I prefer TV series because I find they have more time to develop their characters and carry out more elaborate plots. Summer Wars was able to have a lot of discrete events and still have it paced really naturally. I’m surprisingly satisfied with how much the movie covered.

And the visuals! Madhouse is a pretty amazing studio. Most of the movie looks like The Girl Who Leapt Through Time stuff, which is to be expected. And those parts look great. But the real eye candy is in the OZ scenes. That stuff is worth watching in Blu-ray. OZ is ridiculously detailed. There are a ridiculous number of objects in OZ and they all look great.

I’m pretty sure there’s a ton of stuff I missed out while throwing this post together, but basically, tl;dr: Summer Wars is probably the best animated work of this year.